This is a self-study course which you can take at your own pace. The course does not include critiques of your writing.
Fonny’s body was a total mystery to me-the body of one’s lover always is, no matter how well one gets to know it: it is the changing envelope which contains the gravest mystery of one’s life.
Spoken by Tish (Clementine)
If Beale Street Could Talk, by James Baldwin
What we are really looking for and working toward in this class are writings about romantic love that are neither sentimental and formulaic, nor graphic in a way that doesn’t tell the story but serves some goal outside of the work. It is perhaps bold to do this course, which is not a course in writing erotica, nor one that looks to fulfill a formula for romance genre fiction. This is my corner of the world in writing about love, one that works to capture the ache of it, the beauty of it, the disintegration and yearning of it; that which makes it a part of life that is easy to obsess about, because of how utterly beyond belief it is when it comes fully into one’s life.
Love is difficult to write about in a world that so often connects sexuality to violence and exploitation; to the tragic and disturbing. This may come up in this workshop, and is welcome to, as it is so often part and parcel of what people have experienced. That starburst of magic will arrive to be written as well, that love that moves us into other realms of being. So much is expressed in how we love; so many stories told. Yet, often people have told me that they don’t know where or how to start writing such scenes or such stories, as they find their characters diving into love. I very often see the work of writers I deeply respect not achieve full expression of their stories and their characters in these scenes which may be crucial to the overall work. And, ultimately, these scenes must serve, beautifully or fiercely, that overall project. So I am here to invite you (and me!) to take a chance and enter this part of the world of your story that you are already flirting with! No one needs to be taught about love, at least, certainly not by this creative writing teacher, but finding that road to the expression of love in writing, well, that’s what I propose to be of help with, and as ever to share evocative work – fiction, nonfiction, poetry, film – that helps open up the magic, depth and craft of writing. (Who knows what magic may find you as you write in this open field, make dense and real the expression of this ache of love, and sometimes its fulfillment, in your work?)
So, here’s to writing about love, from crushes and unrequited love to consummated love, to long lost or long dead love; love that cheats, love that sacrifices, lusty love and restrained love, substitute love and love as substitution; the tragic, the unexpected; selfish love, compassionate love, expansive love, routine love and mystical love.